Friday, June 22, 2012

San Francisco: Days 7-8

So I left off on the Mark Freeman interview. 

Later that night, I saw "Keep the Lights On."  My first reaction was:  woobie of all woobies, Sarah Monette would go apeshit for this.  I am mostly able to use normal people words, though I still have some rather strong emotions, which I'll get into later.

"Keep the Lights On" is darkly comedic or comically dark. I thought it was going to be angsty, but I wasn't expecting to care.  But the first scene is a guy surfing through a phone sex line, and the audience just started giggling, and I was like "Oh, I'm not the only one who thinks this is funny?  All right.  I'm down with that."  Of course, then the film gets into the Danish puppy-gay's drug addict boyfriend, and their painfully co-dependent relationship, but all the characters are still so fun and quirky that you honestly feel bad for them.  At least I did.

Yesterday we interviewed Ira Sachs, the director of "Keep the Lights On."  And the actor who played the drug-addict boyfriend of the Danish puppy was there as well.  And...I kind of asked him if I could hug him.  And I may have said something about puppies.  And I feel really awkward and embarrassed about the whole thing, but my only regret is that I didn't get a photo.  It's on film, though.

And if you know me, you know that I don't like touching people and I don't like men, so I don't even know why I did that, except that I have a strange relationship with ficitonal characters.  I relate to characters better than I do to real people.  And an actor, especially a woobie (woobie = kicked puppy.  Adorable and tortured.) messes with my perception because he's a person, but he's a character, but he's a person that I can physically hug instead of just feel woobied about.  And he's a ginger.  Ginger trumps gender.

(I just realized:  Ginger + gay + drug addict + abusive co-dependent relationship + prostitution = Felix from Doctrine of Labyrinths.  It's a book series by Sarah Monette and one of my favorites of all time, and I think I know why I got all gushy now.  Ah well.)

Yesterday was a long day.  We were planning on interviewing Frameline volunteers, but we were all too drained, and I had nearly burst into tears during the morning meeting (don't worry; it's all on film), because for the first time I felt like I couldn't handle it.  So I only went to one movie, "Children of Srikandi," a documentary about queer women in Indonesia, which was brave and an interesting concept, but no "Kuchu."  Very scripted and not informative.

After that I went home and I took time to read a book and be alone, except for when one of the boys barged in my room demanding to know why I wasn't out having fun.  Because my idea of fun doesn't involve alcohol and penises?  Spending time with a book for the first time in over a week was glorious.

But if "Kuchu" made me want to become an activist, "Lights" made me want to write again.  I haven't been able to write since I got here, not just because I've been so busy but because my mind feels really unstable right now.  Not in a bad way, just that it's changing so fast and being opened to so many things, I cannot focus on the creative process long enough to create something.  I'm thinking so much, but I don't have time to process anything, and writing is just a way to process life, isn't it?

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