Now to continue my original list.
7. The Magicians and Mrs. Quent (2008) - Galen Beckett
Character: Eldyn the gay mage tertiary viewpoint character, who isn't really connected to main plot.
Queer Context: The whole idea of having "male magic" and "female magic" isn't anything new, but Beckett is (as far as I know) the first to also have "gay male magic." Lesbians, I assume, just count as women. It is unclear whether all gay men are sons of witches and have illusion magic, or all illusionists are gay men. In any case, the theaters are run by gay male illusionists.
LGBTQ-friendliness rating: B-. Yes, Eldyn's a positive character, but he doesn't really do anything; he's just kind of there because the author wanted a gay character. Also, there are the unfortunate implications of all gay men work in the theater. Plus, Eldyn is just kind of stupid, which is endearing in a Woobie Destroyer of Worlds hero, but makes him an annoying dope as an ordinary (ish) person.
6. The Steel Remains (2008) - Richard K. Morgan
Characters: Ringil the ex-hero anti-hero, and Lady Archeth, the half-human magical person tertiary viewpoint character.
Queer Context: In at least one country (Ringil's) you get killed for being gay, unless, like Ringil, you're too important for them to dare. Archeth's lesbianism isn't addressed in the context of society, but some king tries to bribe her with a slave girl. Also, she's half human, so I don't count her as a discount nonhuman lesbian. The creepy fairy beings, one of which Ringil has a fling with, don't count as gay; I think they are universally pansexual.
LGBTQ-friendliness rating: C+. Ringil is supposed to be a dark deconstruction of fantasy tropes, and the author (who is straight) made him gay to add something off about him. However, he does give a solid queer context for society, and includes a lesbian as well, and I don't know why he decided to make her gay.
5. Fire Logic (2002) - Laurie J. Marks
Characters: Everyone, except the token straight couple.
Queer Context: Universal pansexuality. Despite this, most of the main characters end up in same-sex relationships. To the point where one wonders how the human race manages to reproduce in this world. Also implied polyamory in some cases, which is just fine in-universe.
LGBTQ-friendliness rating: B. The "everyone is gay" aspect gets a little overwhelming, but this book is notable in that same-sex couples will refer to their partner as their "husband" or "wife" (presumeably opposite-sex couples or groups do this as well). There isn't any sort of ceremony that goes along with it, but the fact that Marks actually uses the words is remarkable. Even Lackey and Pierce, who try to deal with issues of gay acceptance vs. homophobia, never get into the legal aspects of same-sex relationships.
4. Swordspoint (1987) - Ellen Kushner
Characters: Everyone but the villain is bi. The main protagonist, Richard, has a male lover, and the secondary viewpoint character, Michael Godwin, sleeps around with everybody.
Queer Context: No sexual categories. The villain mentions at one point that he personally isn't in to having sex with men, but it's not a homophobic thing, it's just a personal preference.
LGBTQ-friendliness rating: B-. Taking advantage of the genre to create a world without sexual categories is nice, but not really helpful. Also, even the "good" guys aren't nice people. But gay characters not being defined by their sexual orientation is nice, even if Kushner takes that idea to extremes.
3. Melusine (2005) - Sarah Monette
Character: Felix, the crazy asshole wizard.
Queer Context: So it's okay if Monette doesn't say "gay" but not for Lackey? Well, yeah. "Molly" is an actual 18th-Century word for gay people, not a Scrabble-bag cop-out. Also, "Janus" is the two-faced Roman god, or in the Melusine world, a bisexual. Very few fantasy authors address bisexuality as distinct from homosexuality, if they address it at all (outside of universal pansexuality). Different countries have different views on homosexuality. In Marathat it is frowned upon, but tolerated. In Troia everyone's chill with it - they're ginger fantasyland Greeks. In Kekropia they kill, torture, or imprison you - they're the hates-everything people. In Caloxa it's taboo, but not a death sentence.
LGBTQ-friendliness rating: B+. Felix is a wonderful jerkass. There are enough
2. Eon (2008) - Alison Goodman
Character: Lady Dela, a male-to-female transgender who acts as a mentor to the crossdresser protagonist.
Queer Context: Lately it's started to bother me that all the plucky crossdressing princesses are heterosexual. Historically speaking, if you were a lesbian, you were statistically more likely to be a crossdresser. Also, the issue of actually being transgender is never mentioned. The inclusion of a transgender character - male to female, no less! - fleshes out the issues of gender, gender identity, and gender roles in society that the book raises. Not to mention that Dela's role as a transwoman in her society is seen as something special and awesome by her people, and even though she is currently abroad, she's too important for anyone to give her crap about it.
LGBTQ-friendliness rating: A. There are so many books about princesses in pants, but no one thinks to put a penis in a dress. She is just an awesome strong female character.
1. Beyond the Pale (1999) - Mark Anthony
Character: Lots. Namely, the male lead and hero, Travis, is implied to be bisexual, but rather than hooking up with the female protagonist as every other novel would have him do, he ends up with the knightly sidekick.
Queer Context: Half(ish) the story is set in our world, the rest is in a typical medieval fantasyland, where homosexuality is frowned upon unless you belong to a certain order of knights where it's almost required. The gay subtext is very low-key in the first book, but this is the late nineties, so I think Anthony was waiting until he had a contract and no one could do anything about it. Besides the gay knights, there are also a gay cowboy couple, a gay Brit in the Wild West (during the time-travel episode), a transwoman seeress, an implied bisexual who has a thing with a fairy (part-human; and there are other hints) but ends up with a man, and numerous minor references scattered throughout.
LGBTQ-friendliness rating: A. Yes, I'm biased because this is my favorite book series ever. But Travis is the archetypal dopey hero, and he ends up with a guy, plus a lot of other queerness happening throughout, mostly among the "good guys". I should have made a separate category for queer presence. Hm.
Coming up next (I'm not done with gay fantasy yet!): Incidental homosexuality in fantasy literature. Those minor characters are not to be discounted!
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